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Transcript: Guardian Discussion
Mark Brayne: Thank
you all very much indeed for coming. Most of you know, in principle,
what today is about – Trauma and Journalism in an Iraq War.
Needless to say, we meet at a very sensitive and important time,
with a campaign in Iraq starting possibly within days.
I think most of you know about the work of the Dart Centre Europe.
It’s still embryonic , although we’re coming to a
kind of cusp where Dart is going to need to develop in Europe
in interesting and exciting new ways. We look forward to hearing
your views and having your support for this.
To start this evening, I’d like to introduce Frank Ochberg,
co-founder of the Dart Center US for Journalism and Trauma. Frank
is one of the world’s leading specialists on PTSD [posttraumatic
stress disorder] and was on the team that first defined this disorder,
at the beginning of the 1980s, looking at the way that the American
war veterans were experiencing the emotional impact of reporting
trauma in the Vietnam War.
Frank Ochberg:
On PTSD.
I wish this wasn’t such an ominous time, but we really are
an emerging community. For approximately a decade, several of
us have realised how important it is to bring together those professionals
who investigate from a background and discipline of skilled and
dispassionate reporting, with those who investigate from the background
of psychiatry, psychology, social work, nursing, to understand
individual reactions.
Every year this becomes a richer, more rewarding and more compelling
experience. And I think it was facilitated by the identification
of PTSD as a concept.
First of all, PTSD is a medical diagnosis. We pooled some information,
and saw three dimensions which affected or changed thinking and
behaviour - and we would call these three dimensions Posttraumatic
Stress Disorder.
The first of the changes is an alteration in memory. It is not
that you cannot remember. It is that you remember what you do
not want to remember when you do not want to remember it.
Think of this as a computer, or a television set, that decides
to show you a scene when you have not tuned it in. It is a different
memory pathway. It could be called a hot memory, and it is driven
by an ancient part of the brain called the amygdala, which is
part of the limbic system.
This can manifest as flashbacks or nightmares, and can be terribly
intense, causing an individual who has it, [to think] that literally,
they are crazy. They are not controlling what they want to think
about.
This painful, intrusive and debilitating experience is one end
of the spectrum.
At the other end of the spectrum is something very subtle. It
could be a nuance, a sense, a feeling, but it’s connected
clearly to some reminder of the traumatic event. And even though
it’s subtle, if it happens enough it eventually gives the
person a feeling that they aren’t the person that they once
were.
This change from feeling like the person you were, to feeling
like a victim, or a subject, or a diminished or a haunted person
– even without the flashback, even without the nightmare
- is a change. It’s a change in sense of self.
There’s a big debate going on now – is PTSD real?
It is important? Does it require therapy?
Any therapist who has dealt with this and has listened and has
learnt, knows that we are talking about the transformation, and
in some ways with the dehumanisation, of a fellow human being.
And these people who have PTSD as we intended it to be understood
and described are often tragic and living reminders of the cruelty
of our species; of our failure to evolve in ways that honour one
another – of the choices that we make. So that is the legacy.
The second part of PTSD is negative symptoms. They are not necessarily
depression, but they consist of losing the full range of emotion.
I sometimes think of this as a biologically adaptive way of reducing
the impact of being episodically re-traumatised by your memory.
It is emotional anaesthesia. I interviewed half of the Vietnam
veterans in the State of Michigan who were part of a national
sample so that the US Congress could have, 20 years later, the
impact of service, and of the reality of this disorder.
The most compelling and the most saddening and, in a way, the
most indelible part of the legacy was the numbing and the avoidance
that went with it.
These men, by this time, had got past their flashbacks and nightmares.
But for many of them, they felt that they were shadows of their
former selves. They had lost the capacity for love and for hope.
Often I would find some elements of love that still existed.
‘How do you feel about your children’? ‘Yes,
I love them’. But then it would be, ‘But I don’t
express it’.
Something is impaired in that capacity. And so the second of
the three dimensions of PTSD is numbing, or avoiding certain places
or interactions. In total it means that an individual has lost
their tie to the human group.
This is the element that the spouses and the children complain
about most. Where is this man? Where is this woman who used to
be my spouse, my mother, my father? They’re not really available
to me.
The third part is anxiety. It is a lowered threshold for anxious
arousal that doesn’t have to have, necessarily, anything
to do with a reminder of the traumatic event. The person has more
active adrenaline. Or, at least, they have more activation of
the sympathetic nervous system, so they are anxious.
This means you do not concentrate that well; you don’t
sleep that well; you look over your shoulder; you jump at loud
noises; and although we never put it in the DSM, the dictionary
of psychological diseases, it means your sex life is impaired.
You cannot have a normal range of arousal and response with this
amount of anxiety. The other parts of the syndrome impair usual
sexual activity as well, so that element of intimacy, as well
as attachment, desire, trust, is impaired.
We are not talking about trivial cases, or trivial situations.
Half way through the 1980s it became necessary to redefine what
a traumatic event is. Back when I participated in writing the
diagnosis, we said it was an event that was outside the usual
range of human experience, and would be traumatic for almost anyone;
such as rape, or witnessing a murder or hearing shocking news.
For legal purposes, let me mention that you don’t have
to actually see something, but you have to experience it.
When we discovered that most of us are going to have a traumatic
event in our lifetime that meets this threshold, we had to change
the definition.
It is not outside the range of human experience; it’s inside
the realm of what we’re going to encounter. So we changed
the diagnosis to say, that at the time that the event happened,
you had to experience terror or horror or a feeling of helplessness
or incapacity.
A person who is affected in this way, more often than not, loses
a sense of coherence; sometimes is scared speechless. But very
frequently, they are unable to explain how they feel, what they
saw, what they experienced.
The journalist’s role
And that’s where we come in; whether we’re journalists
or therapists, to be able to help a person who is almost neurologically
impaired in their ability to express - but has not been impaired
in their ability to perceive - the story. For you to help them
tell the story is therapeutic.
When somebody, voluntarily, comes forward and wants to be a subject
because they have experienced the worst of humanity, far more
often that not, your ability to help them put this into language,
is redeeming, is re-humanising, is reconnecting them to community
and to the human group. [This is] a very important task.
For that reason, those of us at the Dart Center, created an award
of $10,000, for the best newspaper writing in America; and we
have one in Australia.
The award is judged by a majority of journalists plus one therapist
and one survivor of horrific events; and it is awarded for sensitivity
and accuracy in the portrayal of the victim of violence.
It is to try to get that part of the story which competes with
the more commonplace ways that we have of telling about events
- trying to be sure that what one might call this second act makes
it to Page One, and isn’t just simply a feature, or a puff
piece, but a story that is told with compelling voice.
Differing reactions to trauma
There are very sharp differences in the way that we are going
to react to traumatic events. People are not the same, and the
genders are remarkably different.
If you attend meetings of the parents of murdered children –
it’s 90 cent female. The fathers do come in the beginning
but they drop out. The mothers stay for the support and, I guess
in a way, the welcoming of newcomers.
I don’t have research on this. I just have my sense as
a clinician that, in many cases, fathers are a bit more angry
and they want, in their minds, to follow the trail of the perpetrator.
They do not really have the patience for the news stories that
come in – and there may be other explanations.
It isn’t strictly a gender difference; I don’t want
to imply that gender determines whether there is comfort in talking
and listening to similar traumatic events.
There’s such an interesting debate going on in the British
papers and in the US as well, about the ‘stiff upper lip’
and whether it is better to deny and to avoid rehashing and re-visiting
trauma scenes. I believe for many people it is better to avoid.
Working with trauma
I use a mechanism to help a person who is plagued with flashbacks
to have the flashback in front of me and to develop a sense of
mastery.
I remember working with parents of a murdered young man. It was
appropriate for the wife to do this, and inappropriate for the
husband. He didn’t have the flashback. He didn’t need
to re-live in order to master a memory that was driving him crazy.
He really wanted to be sure that his wife had that opportunity
and both of them, now, are active in a victim alliance.
Certainly, there are ranges of remedies, of treatments, of information
that are as different as we are different.
I would submit that Dart Centre Europe should pay attention to
those differences, and should develop its approaches in a way
that’s different from the Dart Center in America, or the
Dart Centre in Australia, or those of us who are trying to start
some programmes in South Africa.
There are regional, cultural, ethnic, gender and age differences.
Let’s explore those differences and understand them.
A concept that Mark uses, that I really applaud and approve of
is, emotional literacy. Recently Bruce and I both attended and
participated in a fascinating conference of poets and journalists
called The Languages of Emotional Injury.
How do we learn to be articulate and perceptive and communicate
about emotion, and emotion in the extreme? It takes some doing.
It takes some cultivating.
You don’t have to be a psychiatrist or a psychologist to
speak the language, but it helps to have that ability - and I
think that’s what Mark and Sue are trying to assure that
their colleagues develop; emotional literacy and a language of
emotional injury.
The impact of war
We’re on the brink of this war. Whatever happens, we can
anticipate that trauma therapists are going to have a lot of business;
that business will be booming.
Let’s think a little bit about how the business is going
to come to us. They will be your colleagues, they will be the
combatants; and while the statistics about trauma, emotional trauma
after combat exposure, vary, I can tell you that good research
of the Vietnam era showed fifteen per cent [developed] PTSD.
For those who were in the high war zone, it approached 50 per
cent. But, it is 50 per cent. It is not everybody. If there were
two soldiers in the same area and their friend, another combatant,
is killed in front of their eyes, the odds are, one will get PTSD
and one will not.
Does that mean that the one who does not get it is insensitive?
Does it mean that the one who does has something morally or biologically
wrong with them? I doubt it.
I think we have genetic differences, and how our brains are wired.
Some of us will obsess in a way that we can’t control, and
we keep horror alive.
Others of us do not have that pattern so we don’t get PTSD;
but we’ll probably get something else. Those will be our
clients, and those will be our concerns.
There also will be the non-combatant observers. These will be
journalists, human rights workers, Red Cross workers and others
in the theatre of action. They are just as exposed.
I believe they are more vulnerable to disability because their
job doesn’t allow them to do something that they feel is
effective. The human wiring is mammalian. Our arousal is so that
we can do things that are physical and with our hands and with
our teeth.
It is not a biological evolution that prepares us with adrenaline
surges to operate equipment that requires meticulous control.
The more you have an opportunity to do something that feels effective
in the heat of battle, I think the better chance you have of coping
with our biology as mammals. That biology is frustrated for many
of us.
Reminders, colleagueship, that helps the journalist understand
how important it is to have our eyes and our ears out there, to
bring the stories home to the rest of us, to honour those who
put their lives at risk – all this is terribly important.
So part of what we’re going to have to do is to receive
our colleagues with honour, with respect for their courage and
dignity, and for doing the job that needs to be done.
Families and therapy
The families are very important. The kind of support that we
give them matters, and makes a difference. When people come back,
and are injured with PTSD, there is something called ‘the
caretaker burden’.
This area is being researched, and needs to be remedied. It’s
very similar to the burden that caretakers have when they’re
dealing with loved ones with debilitating, physical illness.
With PTSD, we do such a favour by explaining what it is, so that
it becomes rational rather than mysterious. It helps somebody’s
patience to increase - for the time it takes to overcome loss
of intimacy, loss of sexuality.
What do we do when we do therapy? There are no formulas for therapy,
but there are certainly principles. And the principles do include
being collegial, as a therapist, with somebody who has been an
observer of reality and brings back the imprint of that observation
and that encounter.
• Being collegial – doing things to normalise the
experience by explaining, demonstrating and showing why it is
- and what it is.
• Offering an opportunity to re-live the experience in
a controlled environment in order to develop mastery, and get
over flashbacks. Not to confront the flashbacks is to not do effective
therapy.
• Understanding what medication works, and when it is appropriate.
Whether or not you are a physician, to know that there can be
referral to a physician.
• Having an opportunity to move from feeling alienated
to helping others to participating in the altruism and in the
connection, and in the family that we are creating. All are very
important parts of therapy.
We’re running some public service announcements in America
about PTSD. You can answer a questionnaire in which you say what
the trauma was and whether you’re getting help, and how
the help is going.
A majority of the respondents have been abused. It is abuse usually
in the marriage. It is also often sexual abuse - as the major
trauma - that is bringing people to seek information in the US.
Most of them have had therapy. Two thirds of them are dissatisfied
with the therapy that they’ve received. It’s bad therapy.
That’s worse than no therapy.
So improving the quality of therapy, and assuring that our people
- I’ll speak as a visiting professor of journalism, our
people - get the best therapy, is up to us. That’s our job.
I’m now going to pass the baton to my colleague Bruce Shapiro
(Field Director for Dart Center US and contributing editor, The
Nation).
Bruce Shapiro:
Challenges for the journalist
We are here at what is obviously a difficult moment right before
a war; and it’s a uniquely difficult moment for a journalist.
War has always challenged journalism, and journalists, to tell
the story of carnage and atrocity; to tell the story of heroism
and cowardice; to tell the story of politics and tactics and to
do it all at once.
This has never been an easy thing; it has always been full of
risk for the journalist. The risk on the front lines; the risk,
at times, of being discredited for telling the truth, which even
one’s desk editors don’t always want to believe.
This happened to a lot of journalists during Vietnam; the risk
of being censored by military authorities; it’s not an easy
place to be. Nor has it ever been easy for the desk editors who
have to make decisions about what reports from the front will
run, and how they will be received by readers and so on. It’s
always been hard.
But there are some new and important challenges to journalism
in this war. Increasingly, we find ourselves telling as the news,
the stories of civilian casualties in large numbers.
And this challenges the toolbox of the journalist. We know how
to tell the stories of individuals; we do not always know how
to tell stories of mass atrocity. We know how to tell the stories
of generals and of warriors and we do not always know how to tell
the stories of civilians.
We often, when refugees present themselves on our doorstep, do
not know how to talk to them. These are practical challenges;
new challenges that have never existed before.
Similarly, because of the advent of trauma science, we now know
that stories can sometimes be distressing for those whose stories
we tell. That too, is a new challenge. How to avoid re-traumatising.
So there are new reporting challenges, new journalistic challenges
involved in this Iraq war, and in other recent conflicts.
There are also some new risks to journalists. Reporters will
be embedded directly in combat units. So reporters will be exposed
in unprecedented numbers, at least, unprecedented since World
War II, to the direct combat experiences, and direct combat risks,
of soldiers.
There are new risks involving chemical warfare, and the other
dangers that will face troops going to Iraq. There are new dangers,
perhaps from low-intensity warfare in the aftermath of the major
conflict; new dangers from occupation.
All of these things are new risks to journalists, as they are
new risks to troops at the front. And for all these reasons, we
need to be taking very seriously what it means to be a working
journalist.
What is the toolbox that we need, to bring to the story of this
war on the battlefield; to the story of this war as it plays out
on the home front; to the story of this war in the lives of ourselves
as we cover it, as we make news decisions about it; as we view
the photos of it over and over and over again? We have to be asking
these important questions.
Dart US
The Dart Center for Journalism and Trauma in the US was founded
to ask these kinds of questions. It was started with the initial
idea that there ought to be a better, more effective way, a more
respectful way, of covering victims of violence.
But, as we began to talk to reporters about what that means,
some reporter in the room invariably would raise their hand and
say, ‘What you say about PTSD is very interesting but you’re
not talking about me!’
As reporters and journalists, people were coming away from their
work, especially sometimes in mid-career, dealing with numbing,
dealing with avoidance, dealing with depression; dealing with
their domestic partnerships breaking up, for seemingly unfathomable
reasons; dealing with substance abuse and knowing that somehow
it was connected to the story, knowing that it was somehow connected
to the work and yet not able to articulate it.
So at the Dart Center US, we have a dual focus. We work on the
one hand to educate journalists, to give them a better toolbox
for writing about victims of violence and making decisions about
what counts as news when you’re telling the stories of people
who are traumatised.
On the other, we provide information on how to support ourselves
as journalists with these difficult stories, and what to do about
trauma, traumatic exposure, traumatic stress and its aftermath
in the journalism profession.
We as reporters, editors, news managers, are very pragmatic people.
It’s fine to talk about sensitivity; it’s fine to
talk about self-care, all these sort of things. But we know that
our job is to get the story. Our job is to get the news. Our job
is to get the paper out, and to get the news on air at night.
But, on the story-telling side, how can we interview people to
avoid re-traumatising them? What does it mean when we go to interview
a refugee, and this silent face or seemingly inarticulate person
presents himself?
We want to get the story; we don’t know what to say to
get it. How do we get through to open up instead of closing up?
How do we gain people’s trust in order to get the stories?
That is a very pragmatic set of decisions. How do you deal with
the needs of the subject of our stories, if we have the time and
inclination to deal with them? Is trauma news? How do you deal
with the stories of people, whether it’s soldiers, whether
it’s refugees, whether it’s people at home who are
being distressed?
Good journalism
It is about doing good journalism. It is about giving ourselves
the techniques, and the language, to keep doing good journalism.
Knowing about trauma helps us do that better. It helps us make
better news decisions, and it helps us have better, more effective,
careers that are integrated with our lives.
For the first time, reporters are going to war equipped not only
with note pads and flak jackets, as part of their safety gear
- but equipped as well with a language of emotional injury - the
capacity to understand the impact of what they’re witnessing
on their subjects, and on themselves.
Mark Brayne: Thanks
Bruce. I’d like to open this discussion up to the floor.
Ian Mayes: (Media
editor and ombudsman at The Guardian.) What I’d
like to ask is to what extent do you think - for a journalist
who witnesses terrible events that may be able to induce trauma
– is it important that the stuff is published at the other
end of the chain?
Bruce Shapiro: I think
it’s absolutely essential. One of the many precipitating
factors for emotional distress in the wake of a traumatic event
is a sense that one was able to intervene, or not intervene. For
many of us in journalism, reporting is a way of intervening in
the cruelty of the world.
When we get the story we think it’s important; we want
people to know. And in fact trauma survivors in general want to
shout their stories to the stars but believe that no-one can possibly
hear them or understand them.
When you write what you think is a good and important story and
it does not appear, it can be crushing, because it ratifies that
sense that you’ve witnessed something incomprehensible that
no-one will ever believe.
Frank Ochberg: I don’t
think that PTSD is effected by this. I know that there is no research
evidence showing one way or another. But, I do think that the
path to burnout, demoralisation and other problems, is effected.
The one set of research that I’m familiar with casts some
light on a similar example; it was done by in Chile, of people
who testified before tribunals about torture and it turned out
that those who testified voluntarily - got their story out - had
better mental health than those who didn’t.
Bruce Shapiro: We
don’t want to suggest that every reporter who covers war
or difficult stories will get PTSD. In fact there’s some
research in the States about news photographers who have covered
stories which shows PTSD rates are comparable to, or lower than,
other first responders.
Journalists are resilient, right? One of the reasons that we
are resilient is, perhaps because of our training to tell stories,
to frame narrative; and the ability to get it published and listened
to.
Chris Elliot: I’m
the Managing Editor of The Guardian. One of the difficulties of
persuading colleagues to take PTSD seriously, is because you did
only have the diagnosis in the 1980s. People inevitably think,
‘Well, what the hell happened to everyone before? What happened
to the millions of soldiers who came back from the first and second
world wars?’
All arguments that I’m sure you’ve all heard before.
I’m interested to know what connections are there between
shell shock, which is very well documented from the First World
War, and PTSD? What are their similarities?
Frank Ochberg: Shell
shock is part of PTSD. It depends on what you mean by shell shock
because we never codified it. My image of shell shock is the person
wandering around in a battlefield, disoriented, doing things by
rote in a dissociated state. They’re in a trance.
Now we’ve come up with a new diagnosis –ASD –
which is Acute Stress Disorder and that, has dissociation in it.
Shell shock is happening at the time. PTSD is meant to mean a
lingering effect that you can’t diagnose until a month later.
But if you put together shell shock and battle fatigue, you have
the full spectrum.
Mark Brayne: I’d
like to bring in Rob Cole, producer and veteran hack, with the
BBC, and previously with WTN. Very briefly, Rob could you tell
us about what happened to you?
Rob Cole: If you’d
asked me before I got PTSD, would I get it, I would have been
completely dismissive of it. I was very cynical about that kind
of thing – ‘Oh well, you just need a good talking
to and that’ll be fine.’
But, the war stories I worked on became accumulative, which resulted
in me developing PTSD. For Rob’s story, click here…
Mark Brayne: Rob,
I’m really grateful to you and to other colleagues who have
told us their personal stories. Since I started my project at
the BBC five months ago I’ve heard lots of stories. There
are a lot of our colleagues who have really gone through hell,
and it is important for people to hear that, and to know that
it is okay to talk about it. It is okay to own up to it, and recognise
what is happening, so that this becomes part of the accepted culture.
Frank Ochberg: Rob,
do you feel any change in management appreciation?
Rob Cole: Coming to
the BBC has been a different world because they said to me, ‘Look,
we know you’ve had that but we know you can do your job,
and we’d like you to work for us.’
That helped me massively, because it means people have got confidence
in you again. If someone says, ‘actually, you’re useless’,
then you feel pretty terrible about it. So there’s no doubt
now, especially at the BBC, there are so many mechanisms to help
people.
Mark Brayne: Sue,
would you like to briefly talk about the Dart Europe website.
Sue Brayne: The heart
of our web site really is about the personal stories. I felt that
the personal stories were the most powerful way to provide a really
authentic look at the life of journalists who have worked in hostile
environments - and the effect that this lifestyle has on their
families and on their partners.
Obviously, there is a ripple effect of what happens here, so
these stories give Dart Europe a much better idea of the kind
of help and support that we can give them.
But also, it is to make sure that Dart does not undermine journalists,
implying they’re a bunch of emotional despots. As Bruce
says, journalists have a sense of mission, they want to do this,
so it’s not about saying journalists are weak and woolly
because they are having these problems.
It is about raising awareness on the possible issues that journalists
face. So the aim of the web site is to provide a really good,
all-round idea of what news journalism is really about.
And it’s also to educate journalism students about what
they’re getting themselves into. It is not just about writing
column inches. It’s about the emotional effect it’s
going to have on them and their life in the future.
I also wanted to do personal stories to add anecdotal evidence
to existing research on related areas of traumatic stress on first
line responders: police, aid workers and rescue workers. And,
to build a bridge of understanding of how journalists can work
better with these other organisations.
Another important part of our web site is to raise issues on
things like newsroom bullying and the traumatic input that has
on people who are already stressed out.
I also believe that making sense of a traumatic event is a really
vital part of the whole healing process. So, the trauma and spirituality
page provides comments on this area.
Another important part of this is families and support. Talking
to the journalists, I realised that the families desperately need
help too.
I’ve interviewed three journalists’ wives so far;
and their stories are about what it’s like to live with
somebody who has always got the suitcase packed underneath the
bed, and is choosing to go and work in hostile environments, rather
than staying at home; what the impact this is having on the kids.
So the web site is a virtual network, bringing together anyone
interested in this area and that’s from journalists to editors
to psychologists, therapists, etc.
Talking of therapists, one thing I feel really passionately about
– and Frank mentioned this earlier – is about getting
the right kind of therapeutic support for the journalists. To
support this, we’re planning to create Dart Europe induction
days for therapists who want to work with journalists.
The future of the website is to carry on building up this dossier
of personal stories. But more immediately is, obviously, to start
collecting stories from those in Iraq and what’s happened
to them
Stephen Jukes (Reuters):
Seven or eight years ago there was a great reluctance to get into
Hostile Environment training. But, after a while, people realised
it saves lives. And, I suspect in a few years time, the same will
be said of trauma training
For Reuters the watershed was the death in 2000 of Kurt Schork.
Kurt was ambushed in Sierra Leone, with Mark Chisholm, a South
African cameraman, and Yannis Behrakis. They were always together
as a trio, and they were great friends.
Mark and Yannis survived. They are the first to say ‘We
sought counselling , and we didn’t think it was a good idea
at the time - but actually, afterwards, it was a great idea.’
And then we had 9-11 where the whole our New York newsroom was
involved. A lot of staff did receive counselling, but this has
only been available in the last few months.
We have now instituted formal briefings for any journalist who
is sent abroad, and that includes not only ‘what’s
the story, and what you’re going to write’, but also
safety equipment. It also includes counselling and the fact that
counselling will be made available. We’re trying to de-stigmatise
it because there’s still this macho resistance to it. But,
if it’s available to everybody, we found it helps.
We’re also training the news editors and management to
recognise traumatic stress symptoms. And, when people come back
from an assignment, we do a de-brief, which could, depending on
the circumstances, lead to a referral handled through our employee
assistance programme.
Anyone can ring our employee assistance phone line if they want
help. They will then be referred to a specialised counsellor who
is specialised in PTSD.
But, we also face a number of difficulties. The first is that
not all our staff are based in the UK. We have 2500 journalists
around the world. Only a small fraction of them are based here
in London.
We’re quite capable of finding counsellors in America but
it’s much more difficult for places like Zimbabwe, Ramallah,
and Gaza.
Secondly, there are quite clearly two categories of journalists.
One is those who are sent on short term assignments. The other
is those who live and breathe it every day; those who are in Jerusalem,
Tel-Aviv, Ramallah, Hebron, Gaza.
What can we do with those journalists, and their families, who
live in war zones or hostile environments? This is causing us
great concern.
What do we do about confidentiality? We want feedback from a
management point of view, because we want to know how many people
are using the support we make available.
But, we don’t want to know names unless, maybe, is there
a point at which somebody could be a danger to themselves, or
to other correspondents they are working with.
Is there then a point at which confidentiality becomes an issue
of safety and moral responsibility? For instance, you are told
about someone because of fears for their safety, and you have
taken that person out of an active reporting environment.
We are also struggling with cultural issues. We’re not
just an English organisation; we’re an international organisation.
Many of our reporters are from the Middle East or from Asian,
where there is a cultural reluctance to go into counselling.
Mark Brayne: Steve,
thanks very much indeed. Could we hear from Jim Bolden of CNN.
Jim Bolden (CNN):
This is a very new thing for CNN too. We’ve implemented
the Hostile Environments training, and now we’re moving
into what we are going to do for people coming back.
This includes people on the newsdesk, the people who are talking
to journalists on the phones. What are they listening to? What
are people telling them about being on the road or in the field?
And how are they responding to those challenges?
There are two challenges we’re seeing. One is that journalists
are now targets. This is quite a new thing for us. We have to
think of ourselves as not just sitting on the sidelines watching;
we may very well be the people they’re going after. It’s
something that’s quite different in the way we may respond
to what’s happening out on the road.
The second thing is that journalists no longer have the luxury
of saying ‘I’m a business news journalist, or I’m
a general news journalist, I only do this’.
Last year I was sent to cover the Bradford riots. The team consisted
of a business reporter, a business producer, a business cameraman
and a business editor. None of us had any hostile environment
training, and none of us had ever been in anything like that before.
It was an eye-opener to us, and an eye-opener to our desk. You
can’t send guys out to cover a riot just because they are
the ones to happen to be in the office that day.
It’s also about the merger of disciplines in certain circumstances.
Those of us who are writing journalists may be using a camera;
cameras have become a target. And, we can find ourselves in the
field on our own. We won’t have three people watching our
back - that is something very new for us as well.
Mark Brayne: Jim,
thanks. Steve Nicklin from Health and Safety, ITN.
Steve Nicklin (ITN):
As Health and Safety Manager for ITN, I have been to various places
to assess what’s going on. I’ve been walking up and
down the Ardoyne Road (in Northern Ireland) as people have been
stoned; I’ve been out to Ramallah and places like that just
to see what people are doing and to make sure that people are
working in the right way.
What we continue to do is to take as much care of our people
as we possibly can.
We have an employee assistance programme to deal with bereavement,
alcoholism, stress, and post-traumatic stress. All our staff are
able contact our employee assistance programme 24 hours a day
from anywhere they are in the world.
This has been extended to all the families as well. And we also
extend this to free-lance staff who might be with us on contract.
We also have basic guidance about what post-traumatic stress might
be in our health and safety manual.
It’s mandatory for people to attend hostile environment
courses before they go anywhere near a war zone - and in the last
six months we’ve put quite a few people through chemical
warfare training courses, and refresher courses.
In the last couple of years, since the May Day riots (in London)
of 2000/2001, we have put a large number of people through riot
training as well.
We’ve invested in management training for stress. Recently,
we’ve had seminars for managers and news editors and those
people likely to be talking to our people in the field, about
PTSD.
We also always say to our staff that they do not have to take
an assignment if they feel uneasy about it; they have the right
to refuse an assignment.
We have sent letters to all those people, and their families,
reminding them that they can back out; reminding them that there
is this employee assistance programme and two cards have gone
in with the letters.
One card to the family, which has the employee assistance number
on it so the families can ring whenever they feel like it; and
a card to be taken by the member of staff to the field so they
can ring whenever they want.
There’s also a support system been set up by our Human
Resources Department whereby the individual managers and the administrators
of the individual departments have a list of names of families
that they are going to look after.
Practically all of the families have been contacted by a person
from ITN to ask how they are, to see if there’s any help
they need, and to let them know they can call us at any time if
they’re worried.
There’s also going to be a newsletter sent out to those
families to let them know what’s going on because, obviously,
the more information we can give them, hopefully the better it
will be for them.
The one thing I would say is that I’m mindful of those
who are ‘in the theatre’. There are a lot of highly
experienced correspondents, but this time there are also going
to be a few inexperienced people out there. I’m very aware
of this.
But, it’s not necessarily those people out in the field
that we’ve got to worry about. The amount of pictures coming
in to the building is going to be enormous. That is going to have
an effect on all of us. There are a lot of young people now who
have joined the industry in the last few years; they could well
be traumatised with the amount of things they will see.
And it’s not just the people working on the news desk -
the journalists, the reporters, the writers of the packages. It’s
going to be those people who are actually editing the pieces back
at base, as well as archiving them.
Mark Brayne: Thanks
very much. I think that’s been a very useful and interesting
summary of what some of the news organisations are doing. One
of the things that struck us in the Dart process is just how far
ahead the broadcasters are, on the whole, from the print industry.
Getting through to the broadsheets have been difficult enough,
let alone the tabloids.
The fact that the BBC now has a full-time trauma project is an
indication of how seriously the BBC has now taken the need for
trauma training and support.
One of the things I’m going to recommend is Trauma Awareness
Training as soon as people come into the organisation, as well
as for managers, and for everyone before deployment. It’s
not about saying you’re going to be traumatised; it’s
saying, ‘Hey, we work in a profession that deals with trauma,
it’s core to our job; seventy-five per cent or so of everything
we report has got trauma in it somewhere - either it’s the
preparation for trauma; it’s the experience of trauma; it’s
the aftermath of trauma; let’s de-stigmatise it; let’s
bring it into the mainstream.’
I’ve now reached, in the last two months, with a series
of brief and slightly longer training courses and briefings, over
two hundred BBC staff. The Panorama team, the Correspondent team,
and almost the whole of TV News have been through the training.
The stories that are coming back to me in this training is how
important it is to see the experience of trauma in the field as
part of a seamless web of experience and support that goes from
the individuals on the coalface of the traumatic experience right
through the picture editors, assignment editors, Monitors, etc.
At BBC Monitoring, one of our colleagues developed PTSD, which
pole-axed him for nine months because he’d been reporting
Sarajevo from the leafy suburbs of Reading. So it can strike in
unexpected ways.
We’ve done good work in the BBC in the last couple of months
in getting this awareness out there. We’re trailing a new
approach to trauma support, which is not about sending people
to counselling when they’ve got a problem – although
that’s part of it - but before they have.
If they’ve been exposed to trauma or a traumatic assignment,
we’re going to use a trauma risk assessment programme (based
on the Royal Marines model) with the focus on creating a culture
that allows for wobbliness after trauma.
This programme assumes, on the whole, that people are going to
do pretty well, because we’re resilient. As Bruce was saying,
we’re evolutionarily programmed to survive and cope with
trauma. But, the programme allows time for any traumatic impact
to surface, and be assessed again after 28 days. If there is a
problem, then we can provide the right kind of support. I think
it’s a model that could well work.
At which point I will hand over to Cameron March, who helped
to devise the Royal Marine’s risk assessment model.
Cameron March (Royal Marines and MarchOnStress):
Six years ago, we looked at what we needed to do with stress in
the Royal Marines. We came up with a risk assessment plan, and
we look at risk assessment to see how much stress people have
taken on as a result of an incident.
We also look at education; we look at how to help people cope;
we look at how to re-establish social contact; how to deal with
the families. And the families are important. When our guys come
back it’s the wives and partners who are the front line;
they take the brunt of it. So we’ve incorporated them.
So, what we’ve tried to do in a very easy and simple way
is produce a peer group-delivered system that helps people in
the Royal Marines. It’s delivered by people who can speak
the speak, talk the talk, and walk the walk; and it works very
well for us.
Our guys are out there. And our risk assessors are out there
with them. I got an e-mail from my warrant officer out there.
He said we’re all ready, all the risk assessors are there,
and we’re ready to go. And they are ready to go.
But the interesting point is what happens when they come back?
In the following weeks, months and the years? And that’s
when we’ll be there to help people. We will risk assess;
we will get people into proper help. And it’s identifying
these people which is so important.
I’m now going to hand you over to Neil Greenberg who works
with me on this risk assessment project.
Neil Greenberg (Royal Navy psychiatrist):
We’ve been talking quite a lot tonight about PTSD. But trauma
does not equal PTSD. For every person that gets PTSD, there will
be another person who becomes depressed; there will be a whole
host of people who aren’t functioning so well at work; and
quite a lot of people who go out and do deep lager therapy - which
we’re quite good at in the British Armed Forces.
So it’s really important to realise that we’re not
just looking for these people who are hyper-aroused. We’re
looking for people who aren’t functioning well.
We have, therefore, developed this peer-group programme. Which
means that is we train Royal Marines how to talk to other Royal
Marines.
And we’re able, pretty much, to train our Royal Marines
and Royal Navy personnel to do this in a pretty short amount of
time. It’s effective because it looks at what is going on
three days after the event, and then it looks at it again about
a month later.
We know that about three per cent of our people in the Gulf War
got PTSD. That’s ninety seven per cent who didn’t.
So if we go round trying to counsel all these people and make
them all better, the evidence is that we can make them quite a
lot worse.
What we want to do is find those three per cent who aren’t
doing well - those who are depressed and those drinking too much
- and give them help. And, we leave the rest of them alone to
get on with their life.
So, this risk assessment schedule sees if people are getting
better. If they’re getting better we’ll leave them
alone. If they’re really bad we get them to medical help;
and if they’re somewhere in the middle we feed that information
back to the managers. We’ll say to the Commanding Officer,
‘Well sir, you’ve got four guys in that incident.
These three – they are fine; this one is a bit wobbly.’
We then allow the CO to manage those people effectively. It may
mean not sending them out to stressful experience or keeping them
back in base camp, so they can help out with something important
there.
We believe by making people strong in stress, rather than victims
to it, people will do well.
And that really is what military psychiatry has shown over the
years. The more people you send back (away from the front), the
more casualties you get. The more you can keep people somewhere
near the front line the better you’re going to keep those
people functioning.
Some army units are now using this model; the Foreign Office
have taken this on board; some of the police, the ambulance service,
the BBC, and the American army. It’s simple and effective.
Mark Brayne: Thanks
Neil. Colonel Bob Stewart is with us, who famously worked with
the British army in Bosnia in the early 1990s, and I’d very
much like to hear your take on this.
Col Bob Stewart I think the first time I heard teamwork being
used was by the Royal Marines. I find it rather sad that all four
news organisations haven’t actually said, ‘We ask
our guys to look after one another.’
Of course it’s much more difficult because print journalists
tend to operate alone, and television and radio do tend to have
a small team.
But, how the hell do you actually organise it so that the same
people work together, so they can look after one another - especially
when they hate one another?
Col Bob Stewart: Fundamentally,
it seems to me, the way that people can actually help is by knowing,
trusting and caring about one another in small teams. Yet journalism
seems to think – because of the nature of journalism –
that it can’t be done; and I just wonder whether that could
be one of the solutions to trying to help people who are subject
to stress?
By the way, I also disagree with your figures. It seems to me
that of the journalists I’ve met, ninety per cent have PTSD!
The nature of journalists is quite outward going and prepared
to run risks. So with that kind of person I would think it would
be three to four per cent, who might have a particular problem.
But, I think the biggest problem you’ve only just touched
on is the families who have to live a dreadful existence while
the journalist is away. I should think the partners often have
PTSD.
How can you make these very dedicated, keen people, who are trying
to do their very best, actually look after one another better?
I have the deepest respect for journalists because I find, personally,
as a soldier in Bosnia, they were the only people I could talk
to.
They were the only people that gave me advice when I was the
British Commander because I certainly couldn’t talk to the
United Nations, and I certainly didn’t want to talk to the
Headquarters United Kingdom Land Forces because the only instruction
they gave me in seven months was, ‘Put a bloody helmet on!’
But the fact of the matter is journalists can also be terribly
helpful outside their specific remit. I’m here tonight to
honour the help they gave me and to say thank you; but more importantly
than that, perhaps to help with any comments I’ve made.
So, I think you should work in better teams, get to know one
another better, and work closer together. That would help reduce
PTSD. It just seems sensible to me.
Mark Brayne: Thank
you. Milica Pesic.
Milica Pesic: I’m
Milica Pesic from Media Diversity Institute. We are organising
a workshop in Croatia for journalists from Southeast Europe who
were working during the conflict. It’s for local media who
didn’t have all these media organisations backing them and
understanding them.
But, as an organisation working in this area, we are concerned
we are actually going in the right direction with our work. We
found research from Columbia University Research claiming that
all the consolation given to the New York victims was actually
useless; a waste of money.
More research from an Oxford-based institute claimed something
similar. Counselling people to prevent PTSD is again, in the best
case useless. In the worst, people are more likely to get PTSD.
So we decided to go for this awareness raising course workshop
simply because journalists in Southeast Europe asked us to for
this.
But if this new research has claimed that only three per cent
of British soldiers in Bosnia have been suffering from PTSD, should
we go in this direction? Are we emphasising something that doesn’t
exist?
Frank Ochberg: There are so many different therapies and therapists
- and the various studies that are done mix apples and oranges.
The Columbia survey that you mentioned was written up in New York
Times magazine section two weeks ago with a very interesting headline:
‘Repress yourself.’ For years therapy has been about
discussing and re-living your trauma but now there’s an
argument that it may be better, simply, to keep it to yourself.
And, there was a similar article in the Sunday Times making the
point, ‘Stiff upper lip beats stress counselling.’
So I really think the burden of proof would be on these advocates
who are saying that this attitude is better than therapy.
There are people for whom doctors would recommend, ‘Don’t
get therapy!’ But seriously, you have to do a professional
and informed assessment before you can reach that conclusion as
a doctor.
PTSD is real. Brain scans will show differences. Controlled studies
on medication and other mechanisms of help, show positive outcomes
greater than placebo for those people who are diagnosed, suffering,
and present themselves for care and treatment.
So Milica, you are not misleading your constituents and people
who are listening to you when you go forward with a programme
that suggests that information helps. Screening helps; and risk
assessment, as the Royal Marines are doing, helps. Offering individual
attention to those people at risk, and those people who have already
begun suffering, helps.
Mark Brayne: I’d
like to bring in Jack Laurence who has written one of the best
books about war reporting that I have ever read – The Cat
from Hue – which goes inside the personal experience of
one of the most dramatic wars that journalists have ever reported
on.
Jack Laurence: Thank
you Mark. Traditionally, in the press corps in my experience -
and my experience goes back to the Vietnam War and 14 or 15 other
wars since then, including the last Gulf War and Yugoslavia –
the way that journalists recovered from the trauma of that day’s
experience, or that week’s experience, was to gather in
the bar of the hotel where they stayed, or share a bottle in the
field with the troops and tell funny stories about it.
What journalists do is to sit down and make fun of themselves.
They laugh about the experience. If you read the wonderful pioneering
book by Judith Herman, the Harvard Psychiatrist, called Trauma
and Recovery, the last stage of recovery is a group therapy session,
in which the victims of trauma – not journalists, but women
who’ve been raped; people who have suffered childhood trauma
and abuse; war veterans; and many others who have similar symptoms
– is to be in a group with others who recognise that you
are not the only one to have had your world turned upside down.
And then begin to finally see the humour in it; to see that you’re
not alone.
And I just ask the question: Is Dart, are the Royal Marines,
are the news organisations finding ways to bring journalists together
after the Iraq war, to talk about it, maybe to have a drink about
it?
Because in the absence of some kind of group work, you’re
going to get what happened to so many of my colleagues from Vietnam:
suicides; life long depression; broken marriages; attempted self-destructive
behaviour; and in a very high proportion.
It’s all very anecdotal for me but so many of my friends
are dead today from covering covered too many wars. That is: taking
risks again and again and again because whatever you want to call
it, their values, their self-worth etc, have been so destroyed
by the effects of the trauma they didn’t care any more.
Frank Ochberg: The
International Society for Traumatic Stress Studies is very cautious
about the idea of group debriefing after exposure to trauma.
Telling your own story is usually felt to be satisfactory. But
listening to everybody else’s, and then moving on, may give
you the worst of all possible experiences.
Bruce Shapiro: The
Dart Center is not a provider of therapy. We are a provider of
education, training, and network building work.
We are trying to create a network of journalists and professionals
- others who are talking about the intersection of these issues.
However, it’s not just about groups in the narrow sense
of group therapy; it is about community and community response.
Events like this are a way of building supportive communities
that Judith Herman talks about in that book.
After September 11th, we set up Ground Zero, run jointly by journalists,
psychotherapists and a group process expert who did, in fact,
organise small group dinners.
They went to places where journalists gathered; bars, galleries,
newsrooms, other places for informal discussions and a chance
for people to talk; to do what you folks in the field did. So
I do think there’s tremendous value in building solidarity
and we stand for that.
It is essential because it is about restoring connection. But
group therapy, narrowly, is not something that we do. We do believe
in building community, and in people working together. For some
people in therapy, group therapy is the right thing, and for some
people it’s not.
Mark Brayne: Dagmar
Edwards
Dagmar Edwards: I
work in an organisation called Psychology Matters and I’m
also a UKCP registered psychotherapist.
I was interested in the Times article that you referred to and
the way that counselling was, basically, rubbished. One of the
things that I’ve been extremely pleased about is the education
element of this.
I really like the sound of the Marines model – people are
given time so that there is assessment made as to what is the
best form of treatment.
One of the problems I think has happened with recent traumas
is people haven’t been given enough time to fully understand
what has happened to them.
People need to understand the implications of biology, neuro-biology,
on the impact on individuals and that can only happen through
education.
Therefore, a lot of psychotherapists and counsellors now have
to go through another learning curve so they understand these
new implications that we now know about. I’m supporting
the education.
Madeleine Beard: I’m
from Marshmallow. A number of people have talked about the quality
of listening. Cameron March, you said that peer groups were extremely
valuable. It seems to me that by encouraging people, and a culture,
to listen to each other, you give them permission to offload issues
in a gentle, non-threatening and immediate manner so that it doesn’t
build up in themselves.
Listening is damned hard work, but extremely valuable. It creates
a humanity, and fosters humanity.
Duncan March: Three
quick points. My name is Duncan March; I’m a director from
Pilgrims Hostile Environment training.
First hostile environment training is merely a handrail for journalists
to take into the field.
Online journalists who are very young - this is a new media that
wasn’t around during the last Gulf War - who really want
to get their name and their face on the map are particularly at
risk. All hostile environment training can really do is provide
a handrail for journalists in the field to avoid things like minefields
and perhaps aid an injured peer or fellow journalist.
We’re trying to do that by having advisors in the field
who are not seen as some ex-SAS steely-eyed dealer of death; they
are someone who actually could be a front-line counsellor as well;
someone that could be embedded in the media team. Everyone talks
about embedding journalists into the military but what about trying
to embed some of the military specialists into journalism?
Secondly, this war has been over the media in a massive way.
It has been nasty in its expectation of chemical and biological
weapons. Mark mentioned someone from BBC Monitoring being traumatised
by the fact that they monitored the Sarajevo war from Reading.
What media organisations have got to understand, when this war
is over, is that this is not an example of a hostile environment;
this is the extreme example of chemical warfare.
The truth is a hostile environment is also going to the Bradford
riots as talked about earlier.
Thirdly. What we have found is that when those on our training
courses come to the bar they relax and start talking about some
of their experiences. They talk to the other consultants we have,
and talk to us about our experiences; maybe the horrors we’ve
seen, maybe the wars we’ve been in.
No-one does it in a way that’s brash bravado, but in a
very subtle and humble way. It really is a way that people can
relax.
Mark Brayne: Time
is almost up. I would just like Neil, Bruce and Frank to say a
couple of words in conclusion.
Neil Greenberg: Whether
you call it group therapy, or whether you call it getting round
in a group and just having a drink or chatting, the ability to
make sense of what has gone on in someone’s life, by reflecting
off other people, is so important
That’s very different to debriefing, and making you express
emotion you don’t want to. So certainly, in the Marines,
part of what we teach is to make sure people do talk after the
event to allow healthy ventilation. I would definitely go with
that.
Bruce Shapiro: All
of you in this room, along with Mark and Sue, are now the seeds
of a new network of working journalists, mental health providers,
and others who are willing to support the idea of a culture of
journalism in the 21st century that is in line with what we know
about trauma.
This is the knowledge of what happens to people who witness and
survive the worst things that people can do to one another. Keep
talking to each other.
Frank Ochberg: I
treat a lot of PTSD in extreme cases and I never see uncomplicated
cases any more. It’s never pure PTSD, it’s always
combined with other things.
What bothers me most when I’m dealing with journalists
is those managers or publishers who don’t understand them,
and who create, not a hostile environment but a work environment
that belittles, demeans and ignores.
I think the antidote to that is to create the collegiality and
the respect that we have among us in this room, and to hold up
examples of good management.
The last thing we need are teams that don’t work as teams,
and families that are dysfunctional families. So creating healthy
work places is paramount.
Sometimes PTSD starts the discussion. It’s common ground,
and all of us can relate to it. But the job is not one of treating
PTSD, the job is one of becoming a civil society of peers –
and when you work in teams that are functioning that way, it’s
fulfilling.
Mark Brayne: Thank
you very much for coming. I’ve found this really stimulating
and fulfilling. It has given me, Sue, and Frank and Bruce –
and I hope all of you – a lot of ideas to take forward.
This is the beginning of a very interesting period in journalism.
Dart is an umbrella, which I hope will bring in more and more
of this kind of discussion. Thank you very much indeed.
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